the rushcutter

How to (and why) make a toile

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At this point in the Rushcutter sew-along, I thought it would be a good time to talk about toiling.

What is a toile?


A toile (also known as a ‘muslin’) is basically a draft version of a garment. A toile is normally made from a cheaper fabric, so that you can test the fit of a particular garment before cutting into your real (and normally more expensive) fabric. 

It is best to choose a fabric to toile in, that is similar to what you plan to make the actual garment in. If you are using a lovely sandwashed silk, then you will need something with a similar handle and drape as the silk, so you can get a good idea of what the final garment will look like. Making a winter coat? Choose something with a similar thickness and drape.

 

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While I was developing The Rushcutter I made countless toiles. Many of them are ‘wearable toiles’ – meaning that I used a cheapish fabric and finished them properly, but expected to need to make some small adjustments. This way I could wear them around for a few days, and see how each dress really felt out in the wild! 

Why should I toile?


We all come in different shapes and sizes, and although I may have the same measurements as the girl next to me, this does not at all mean we have the same body shape. Some of us may have a sway back, forward sitting shoulders (that’s me!), narrow shoulders, longer legs etc. By doing a toile, you can quickly see if any adjustment needs to be made. As you sew more garments for yourself, you will get better at knowing what to look for, as you will often notice the same fitting problem across the board. 


How do I make a toile?


Make up the dress in your chosen toiling fabric. You don’t have to add facings, collars or pockets etc. I never bother with buttonholes or zips when I toile, I just pin the opening closed when it’s on.

You just want to check the overall fit of the garment, so you will only need the main pattern pieces. There is no need to even finish the seams! Mark the position of pockets so you can check pocket placement, without actually having to sew them.

When sewing, consider using a long stitch length, so that you can quickly and easily unpick any seams that need to be altered. You can also use a contrasting thread to make it even easier to see your stitches. As you will not be adding binding around the neckline and armhole of The Rushcutter, make sure you trim back the seam allowance (1cm) so you can get an accurate idea of how it will look when it’s finished. 


What’s next?

Try it on, get in front of the mirror and take a look! Is it sitting like it should? How does it feel? Can you sit down comfortably? Can you raise your hands in the air without showing off too much booty? Is it hanging properly? Does it feel too tight in any areas?

If you do need to make some changes, then take a pen (or fabric marker / chalk) and draw the changes directly onto the toile.  

Check the neckline

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For example, if the neckline is too high, then draw where you would like the neckline to be. If you are toiling in a darker fabric, or making a wearable toile (like I was), then use masking tape to indicate problem areas and mark the changes on that. I also like to use tape to write notes on the toile, if needed.

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Use a tape measure, or ruler, to make note of any distances / measurements. You can write them directly on the toile (like I do) or write them on a piece of paper. 

Focus on the overall fit

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If it feels too big, pin out some of the excess fabric in the side seams and / or centre back.

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If the dress feels too wide in the body of the dress, pin out the excess in the centre of the SIDE PANEL. Remember, if you bring the dress in at the side, you will also need to reduce the width of the sleeve, as these two pieces join together. 

On the contrary, if an area is too tight, cut into the fabric and use pins to fill the gap with a separate piece of fabric.

Check the length

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Check the length – does it need to be lengthened or shortened? Place a pin horizontally at your ideal length (or take note of how much longer you would like to make it).

Is the hem sitting straight?

You will see in the image above that the hem lifts slightly at the front - this could be a sign of needing to do a full bust adjustment (my dummy has quite large breasts for her size!) The same goes for the back. If the hem is lifting at the back, you may need to add some length to the pattern.

Focus on the placement / position of design details 

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Check the pocket placement (whether it is with actual pockets or just markings of where they are) and make note of any changes required.

Check dart placement / shoulder seams

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For View A, check the placement of the shoulder dart. Does it sit on your shoulder and finish at the peak of your shoulder? You will see in the image above, that the dart sits slightly back from the shoulder line. 

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To mark the change I required, I used masking tape to draw in the new dart position (being sure to also mark the dart point).

For View B, check that the shoulder seam lies on your shoulder. Re-draw the shoulder seam if you feel it needs to be further forward or back.

Check the sleeves

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Have you got enough room in the sleeve to bend your elbow? Is the length of the sleeve right?

All done. Now what?


If you have made a lot of changes, you may need to make another toile to check the fit again. If the changes are minor (shortening or lengthening, moving the shoulder dart, changing the neckline etc.) then you will probably be fine to skip making a second toile.

In the next post I will show you how to go about transferring these changes to your pattern!


I'd love to know, do any of you always make a toile? I must say, I'm a bit cheeky and skip it sometimes (I do often regret it though!) 


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How to grade between sizes

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For many women, your measurements will range across several sizes, and you will need to grade between sizes after you print your pattern. The Rushcutter pattern has a lot of ease in it, and I have said already that you should really check the finished measurements before deciding you need to grade up a size at the waist or hip. But, this technique is one you can use on all nested patterns, to grade between sizes, and after saying all this, you may still feel you would like to grade between sizes for your Rushcutter!

In yesterday's post in the Rushcutter Sew-along, I showed you how to use layers to print only the size (or sizes) you need.

How to grade between sizes in a nested pattern

When your pattern is printed and assembled, take a contrast coloured pen or pencil and a ruler.

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With your ruler, draw a diagonal line from one size line to the next. As you can see in my example, I have gone up from a size A at the bust, up to a size C at the hip.

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If you are a size A at the bust, and then a C at the waist, you will need a sharper diagonal line.

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If you do make this adjustment to your pattern, be sure to change all relevant pattern pieces, so that the pieces still fit together. 


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How to print and assemble your PDF sewing pattern

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Today in the Rushcutter sew-along, it's time to print out our PDF pattern!

Some of you may already have the printing, trimming and cutting of PDF patterns down to a fine art, but for those of you who hear the phrase 'PDF pattern' and shudder, I'm going to show you that it's not too bad at all!

Opening the file

Download the pattern to your desktop and save it (this way you will be able to access it whenever you want).

The file is a zip file. This reduces the size of the file so that all elements are compressed together and can be delivered to you quickly. You will need to open (or unzip) the compressed folder so that you can access what’s in the folder.

When you buy the Rushcutter dress pattern, you will receive four different files inside the pattern folder:

  • A read me file that gives you an introduction to what is included in the pattern

  • The pattern - in both print-at-home (A4 / US letter size) and copy shop format (A0 / US 36” wide printing)

  • The instruction booklet

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Open the PDFs in your preferred PDF viewer. I use Adobe Acrobat (if you don’t have it, you can download it for free here).

How to use layers

The pattern has been designed to have layers embedded. This means that you can select only the size (or sizes) you would like to print. Layers make it much less confusing to cut out the pattern, and also saves on ink (and paper in some cases).

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When you have the pattern file open in Adobe Acrobat, look to the left hand side of the screen. You will see a vertical panel with a few options available. Click on the icon that is called ‘Layers’ (third one down). This will open up your layers panel, so you can see what layers are available in the file.

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You will see that there is a separate layer for each of the available sizes. The ‘PATTERN INFO’ layer has all the elements that are the same between sizes, such as the page numbers, the pattern key and the grainlines and pattern labels. There is an eye icon next to each layer, and this lets you know whether the layer is visible or not.

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Turn off (by clicking on the eye) all the layers you don’t require. Remember to keep the ‘TAGS,’ ‘GRID’ and ‘PATTERN INFO’ layers on for all sizes.

Printing the pattern

Before printing the file, you will need to check the scaling settings on your printer.

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You want to print the pattern at its true scale (the scale it was designed in). To do this, go into your print settings and select “actual size” or set page scaling to ‘none’ or ‘turn off page scaling.’ The wording will depend on your printer and the program you are using to view your PDF.

Checking scaling

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Print only Page 1 of the pattern, and check that the test square measures exactly 5cm x 5cm or 1in x 1in. It really needs to be precise, so if it is not quite right, you will need to go back and check your printer settings again. 

Check both the vertical and horizontal measurement of the test square, to ensure the scaling is right in both directions.

When you have the scaling right, you can print the remainder of the pattern. In some cases, you won't need to print all the pages. This will depend on the size and style you have chosen to maker. There is a printing plan in the instruction booklet that you can refer to before printing.

Assemble the pattern

Cut around the border of each page - one long side and one short side (keep your choice of sides consistent between pages).

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Align the circles so that 1A matches up to 1A, 2A with 2A etc, and tape or glue in place.

Continue working along the columns and rows until you have attached all pages. Loosely cut around each pattern piece required so that the pieces are easier to manage. And you are ready for cutting!


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The Rushcutter Sew-along: Selecting your size

So now that we are all feeling inspired (hopefully) and have chosen our fabric, it is time to think about sizing. The Rushcutter sewing pattern is available in sizes A - K (approximately equivalent to AU size 6-24).

Take your measurments

To select the appropriate size, first take your measurements.

It is best to take your measurements while wearing only underwear, or otherwise very tight clothing, so that you can get true measurements. Get someone to help you, if you can. Otherwise take your measurements in front of the mirror, so that you can check that your tape measure remains parallel to the floor, and is not twisted. 

First, measure your bust and take note of the measurement. 

Measure your waist... and don't suck in your tummy like me!

And then measure your hips.


Body measurements

Now look at the size chart and circle where your measurements lie. Your measurements may lie across several sizes or between sizes. 


Rushcutter finished measurements 

You should also look at the finished measurements of the Rushcutter. This dress is designed to be oversized, so there is A LOT of ease included (14cm at the bust, 43cm at the waist, and 28cm at the hip). If your bust measurements  fit one size and then your waist and hips are another, it is likely that you can go with the size of your bust, but do check the finished measurements and make a decision based on them. It is no problem if your size ranges between  multiple sizes. It is very easy to grade between sizes, as the pattern is nested, and I will show you how to do this next week in the sew-along. 

Take note of which size/s you need to print, as the pattern has been made with embedded layers so that you can just print the size/s you want! Layers make it much less confusing to cut the right size, and also saves on ink (and paper, in some sizes).

In the next post in the sew-along, I will show you how to print and assemble your PDF pattern


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The Rushcutter Sew-Along : Gathering supplies

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I hope that yesterday's post in the Rushcutter sew-along inspired you! I know it sure did inspire me. Now that you (hopefully) know what fabric you would like to use, let's talk supplies.

Below is a list of ideal supplies, but before I go on, I must say that I  am an advocate of using whatever you've got at home (within reason, of course) for your sewing projects. So if you've got a zip that's a little too long or a little too short, then use it! Buttons a little bigger or small than required? Use them! If you don't have an invisible zip around, then consider using a standard zip. As well as this, consider cutting your fabric flat, rather than on the fold, you'll be able to squeeze your pieces on way less fabric (I will talk about that more when we get to cutting fabric). 

For View A, you will need:

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  • Fabric: 2.9m x 150cm wide (3 yards x 60in) OR 4.2m x 115cm wide (4 5/8 x 45in)
  • 40cm (16in) invisible zip
  • Coordinating thread
  • 35mm bias tape (store bought or made at home) - I will do a tutorial about making your own binding, so stay tuned, if you think you'd like to go down that route

For View B, you will need:

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  • Fabric: 2.2m x 150cm wide (2 1/2 yards x 60in) OR  3.3m x 115cm wide (3 5/8 yards x 45in)
  • 3 x 10mm (3/8in) buttons 
  • Coordinating thread
  • 35mm bias tape (store bought or made at home)
  • A small piece of iron-on interfacing (not required for all fabrics, but if your fabric is quite delicate or flimsy, this is a good way to stabilise your buttons and buttonholes)

When you have chosen the fabric you will be using, you will need to wash it, dry it and press it. Use the same method you plan to use when laundering your actual dress, to avoid it shrinking after the first wash!

And that's all for today. Tomorrow we'll be talking about sizing!


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The Rushcutter Sew-Along : Finding inspiration

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Yay! It's the first day of my very first sew-along, and I couldn't be more excited to get started.

For those of you who are just joining us, in the last post I introduced you to my brand new sewing pattern, the Rushcutter! If you missed the memo, you can check out all the details here.

I thought the best place to start the Rushcutter sew-along would be with some inspiration.

I had the most amazing group of women volunteer to test the pattern for me (thanks again ladies!) and they really did an incredible job of showing how different this dress can look, depending on your fabric choice. They each really made the dress their own.

As I mentioned in the last post, she is quite a versatile pattern and will make up well in a variety of different fabrics. Your fabric choice will really govern the end result, so before running off to the fabric shop, have a think about the kind of silhouette you would like to achieve and then go from there. I hope this images help!

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If you think you would like a dress that is quite structured or boxy, consider using a mid-weight cotton, sateen or twill or or brocade. Jennifer used a beautiful jacquard weave to make hers, and achieved a really beautiful silhouette, which works both belted and un-belted. 

If you prefer something a little softer or more relaxed, I suggest light to mid-weight cotton shirting, poplin, sateen, viscose (rayon) or silk. Cindy achieved quite a soft silhouette using mid-weight cotton, and created a nice detail by using exposed binding on the armholes and neckline.

Claire also achieved a relaxed look, perfect for a casual summer dress, using this striped light-weight cotton shirting. 

For something in between the soft look and the structured look, consider using chambray or linen. Kimberly used a bottom weight denim wash cotton to achieve this silhouette. 

As the Rushcutter is made up of a few different panels, there is a lot of room to play with the pattern, with piping or colour blocking... or both, like Marie-Paule. She also attached some elastic at the waist to achieve a more fitted silhouette.

I really love the dress Corey made. She cut the bodice panels in the same fabric to make it look like a standard yoke, and then used a solid colour for the remaining panels, to create a lovely contrast between the two sections. 

This lovely relaxed Rushcutter by Indu is just the perfect summer dress. She shows how beautiful it can look with, or without, the waist sash. 

There is a lot of room for playing with stripes or contrasting fabrics in this dress, and Sneha really showed what is possible. Didn't she do an incredible job of this dress? 

Megan made this lovely light-weight cotton Rushcutter, which she shortened considerably to tunic length. I will show you how to do this during the sew-along, so keep your eyes peeled, if this is something that interests you! I think it goes perfectly with those black tights and shoes, although I think this dress will work just as well in spring.

Sarah also made a couple of changes to the pattern. She shortened the dress, as well as the sleeves, and also widened the neckline. I really love the changes she made and I think this fabric (wool boucle) just works perfectly.

Ann made this lovely blue Rushcutter, with a fabric that has a slightly quilted texture. It goes wonderfully with her red hair, don't you think?

And last, but not least, is Andreia. I am a huge fan of this dress. She really thought outside the box when it came to selecting fabric, and went for a Ponte di Roma. It has a lovely modern aesthetic, and I just love how the sleeves sit when the fabric has a bit more body to it.


These wonderful ladies have provided me with a lot of inspiration (and I hope they have provided you with some too) - now I just have to work out which one to make first! I'd love to know what you are planning to make your Rushcutter in?


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Introducing the Rushcutter

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Yipee!!! I am so pleased to introduce you to my very first sewing pattern! Her name is The Rushcutter and I think she's a bit of a beauty.

She is a relaxed knee length A-line dress, which is flattering to pretty much all figure shapes. My main mission when designing the Rushcutter was to create a dress that is comfortable, wearable, effortlessly cool, and would fit comfortable into many different women's existing wardrobes. She can easily be dressed up and down, and is perfect for all seasons.

She comes in two variations, which means she is perfect for all you people in the northern hemisphere too!

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View A has three-quarter raglan sleeves, large pockets on the side (optional), an invisible zip, bound neckline and a large hem facing.

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View B is a sleeveless dress with back button closure. It has in-seam pockets and the neckline and armholes are finished with bias binding.

Included in the pattern is an optional waist sash, that is suitable for both styles.

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The Rushcutter was designed with woven fabrics in mind and is quite a versatile pattern. She makes up beautifully in a wide range of fabrics (and I would know, as I have made at least eight versions over the last two months!). My lovely testers also showed how different this dress can look depending on the fabric - and I will include some of their incredible dresses in the next post

As well as these two variations, I will also be showing you as many hacks as I can possibly come up with (and am open to suggestions, if you want to send an idea through to me), in the coming weeks, so we can get all you sewers pattern making too (and hopefully seeing how un-scary it is - yes, I made up a word)!

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The pattern is suitable for brave advanced beginners and beyond. I have placed it a 'Level 4' on my skill scale, as I think a sewer with a few projects under their belts, along with some pins and patience (and probably a few cups of tea) would be able to handle this project.

You can make the project as simple or as challenging as you like. Add piping for an interesting detail or play with stripes on the various panels to make it a more challenging sew.

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The pattern also comes with instructions alongside full colour photographs that hold your hand every step of the way (there is also a 'cheat sheet' available for those of you who don't want your hand held) which can be printed at home, or simply viewed on a computer, tablet or smartphone. 

Would you like to sew your Rushcutter along with me? I will be doing a sew-along over the next few weeks (starting on Monday October 19th) and will be giving you some fitting tips, showing you how to get a lovely clean finish with bias binding, and my method for sewing invisible zips! So stay tuned...

And even if you are not planning on buying the pattern, I'm sure you will find some great tips in the sew-along that can help you with other projects that find their way to your sewing table.


What do you think? I'd love to know what you think. Is there room for the Rushcutter in your wardrobe? 


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